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Pavane

Noten für Blasorchester

75,00 € inkl. MwSt., versandkostenfrei
Lieferzeit: 1-2 Tage
Art.Nr.: 278446
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Beschreibung
Besetzung:Blasorchester 
Komponist: Gabriel Faure
Arrangeur: Diana Mols
Grad:3 (mittelschwer bis schwer / Mittelstufe) 
Genre:Konzertwerk, Klassik
Dauer:05:00
Stimmen:
  • Flute 1 - 2
  • Oboe 1 - 2
  • English Horn
  • Bassoon 1 - 2
  • Eb Clarinet
  • Bb Clarinet 1 - 2 - 3
  • Bb Bass Clarinet
  • Eb Alto Sax 1 - 2
  • BbTenor Sax
  • Eb Baritone Sax
  • Bb Cornet 1 - 2
  • F Horn 1 - 2
  • C Trombone 1 - 2 - 3
  • C Baritone BC
  • C Bass
  • String Bass
Format:DIN A4
Verlag: Star Music Publishing
Kategorie: Konzertwerke
Gabriel Faure komponierte die Pavane 1887 für Klavier. Später schrieb er eine Orchesterfassung. Diana Mols arrangierte das Stück für Blasorchester.

The Pavane in F-sharp minor, Op. 50, is a pavane by the French composer Gabriel Faure written in 1887. It was originally a piano piece, but is better known in Faures version for orchestra and optional chorus. Obtaining its rhythm from the slow processional Spanish court dance of the same name, the Pavane ebbs and flows from a series of harmonic and melodic climaxes, conjuring a haunting Belle Époque elegance. The piece is scored for only modest orchestral forces consisting of string instruments and one pair each of flutes, oboes, clarinets, bassoons, and horns. A typical performance lasts about six minutes. The original version of the Pavane was written for piano and chorus in the late 1880s. The composer described it as "elegant, but not otherwise important." Faure intended it to be played more briskly than it has generally come to be performed in its more familiar orchestral guise.

The conductor Sir Adrian Boult heard Fauré play the piano version several times and noted that he took it at a tempo no slower than 100 quarter notes per minute. Boult commented that the composers sprightly tempo emphasised that the Pavane was not a piece of German romanticism, and that the text later added was "clearly a piece of light-hearted chaffing between the dancers". Faure composed the orchestral version at Le Vesinet in the summer of 1887. He envisaged a purely orchestral composition, using modest forces, to be played at a series of light summer concerts conducted by Jules Danbe. After Faure opted to dedicate the work to his patron, Elisabeth, comtesse Greffulhe, he felt compelled to stage a grander affair and at her recommendation he added an invisible chorus to accompany the orchestra (with additional allowance for dancers).

The choral lyrics were based on some inconsequential verses, à la Verlaine, on the romantic helplessness of man, which had been contributed by the Countess's cousin, Robert de Montesquiou. The orchestral version was first performed at a Concert Lamoureux under the baton of Charles Lamoureux on November 25, 1888. Three days later, the choral version was premiered at a concert of the Societe Nationale de Musique. In 1891, the Countess finally helped Fauré produce the version with both dancers and chorus, in a "choreographic spectacle" designed to grace one of her garden parties in the Bois de Boulogne.
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